Books
Y Tu Mamá También (Queer Film Classics) (McGill-Queen’s University Press, 2023) [manuscript under contract]
Journal Articles
“Luis Miguel: La serie, Class-Based Collective Memory, and Streaming Television in Mexico,” Journal for Cinema and Media Studies, Vol. 59, No. 3 (Spring 2020) <link / pdf>
“The Narco-stories of Kate del Castillo: Stardom, Gender, and Entrepreneurship in a Transnational Context,” Television and New Media (September 2019) <link / pdf>
“The Female Narcotrafficker’s Tongue | La Lengua de la Narcotraficante,” NECSUS: European Journal of Media Studies (Spring 2019) <link>
“A Global Cinematic Experience: Cinépolis, Film Exhibition, and Luxury Branding,” Journal for Cinema and Media Studies [Cinema Journal], Vol. 58, No. 3 (Spring 2019) <link / pdf>
“Toward a Cinema of Slow Violence,” Film Quarterly, Vol. 71, No. 3 (Spring 2018) <link / pdf>
“Pain & Gain, Global Fitness Culture, and the Neoliberal Ascetic Ideal,” Jump Cut 58 (Spring 2018) <link> [Check out the Tumblr site accompanying this article.]
“The Datalogical Drug Mule,” Feminist Media Histories, Vol. 3, No. 3 (Summer 2017) <link / pdf> [Read my blog post about this article.]
“Imaging Dissent: Online Mexican Activism on the Global Stage,” Media Fields Journal, No. 9 (September 2015) <link>
Book Chapters
“An Animated Tale of Two Pandemics,” in Pandemic Media: Towards a Preliminary Inventory, edited by Philipp Dominik Keidl, Laliv Melamed, Vinzenz Hediger and Antonio Somaini (Meson Press, 2020) <link / pdf>
“Tunnel Risk and the Mediation of Border Security Spectacle,” in The Routledge Companion to Media and Risk, edited by Bishnupriya Ghosh and Bhaskar Sarkar (Routledge, 2020) <link / pdf>
“‘Feeling Pirate’: Media Piracy as Affective Practice in Mexican-American Experience,” in Piracy and Intellectual Property in Latin America, edited by Juan Poblete and Victor Goldgel-Carballo (Routledge, 2020) <link / pdf>
“Working Out as Creative Labor, or the Building of the Male Superhero’s Body,” in Arrow and Superhero Television, edited by James F. Iaccino, Cory Barker, and Myc Wiatrowski (November 2017) <link / pdf>
“Tunnelling Media: Geoblocking and Online Border Resistance,” in Geoblocking and Global Video Culture, edited by Ramon Lobato and James Meese (January 2016) <link / pdf>
Journal Issues Edited
“Digital Distribution,” Media Fields Journal, No. 10 (November 2015), co-edited with Jennifer Hessler <link>
Digital Publications
“Media’s Border Logics: Reflecting on ‘Platforms to the World’ Symposium,” Migration Mapping, September 25, 2020 <link>
“Playful Metros and the Aesthetics of Disrepair,” Flow TV: A Critical Forum on Television and Media Culture, April 30, 2018 <link>
“Mapping the Narco-televisual Universe,” Flow TV: A Critical Forum on Television and Media Culture, February 26, 2018 <link>
“The Cuteness of Tunneling Media,” Flow TV: A Critical Forum on Television and Media Culture, October 30, 2017 <link>
“Elena of Avalor and the Fantastical World of Latinx Identity,” Cléo: A Journal of Film and Feminism, December 15, 2016 <link>
“‘Blim and Chill’: Telenovelas and Class Ideologies in the Online Streaming Wars,” Flow TV: A Critical Forum on Television and Media Culture, November 29, 2016 <link>
“DreamWorks Animation Downsizes,” Media Industries Project Research, February 11, 2015 <link>
“Small Festivals, Youth, and the Monterrey International Film Festival,” Mediatico, September 28, 2014 <link>
Book Reviews
“Queer Cinema in the World by Karl Schoonover and Rosalind Galt,” QED: A Journal in GLBTQ Worldmaking, Fall 2018 <pdf>
“Queer Mexico by Paul Julian Smith,” Studies in Spanish and Latin American Cinemas, September 1, 2018 <pdf>
“Contemporary Latina/o Media by Arlene Davila and Yeidy M. Rivero,” Media Industries Project Research, February 18, 2015
“Producing Bollywood by Tejaswini Ganti,” Media Industries Project Research, May 14, 2014
Conference Drafts
“Towards a Pirate Media Studies,” FLOW Conference, University of Texas at Austin, September 2016. <link>
“#YoSoy132 and the Influence of Class on Digital Politics,” FLOW Conference, University of Texas at Austin, November 2012. <link>
